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Probably the
first two people to make plastic reeds were Steve Broadus and Arnold
Brilhart. If my information is correct, Steve was clarinetist with the
Radio City Music Hall Orchestra at the age of 15 and later, in the 40’s,
made mouthpieces for Benny Goodman and others. During the second World
War, he made plastic reeds from styrene when the French cane was needed to
hide soldiers.
Arnold Brilhart
started his performance career in 1922, with all the great musical groups;
the Dorsey’s, Benny Goodman, Louis Armstrong and others. In 1939, he began
making mouthpieces such as the white "Tonalin" and plastic "Enduro" reeds.
He subsequently worked for Rico in the later years of his life in a
creative role until he passed away May 17, 1998, at 93 years of
age.
In the 60’s,
Steve Broadus worked with Arnold Brilhart, in Carlsbad, California,
developing Fibercane, the first composite reed material. To my benefit, in
his later years, Steve was my lunch buddy, confidant, mentor and chief
motivator until he passed away in the early 1980’s.
In 1965, Arnold
Brilhart finished and patented Fibercane on his own, from which flat reeds
were made and sold to the Selmer company. The Selmer company bought out
Brilhart and marketed the flat reeds for several years.
There have been
numerous contributions to the plastic reed over the years, some injection
molded, others presumably from flat sheet stock and Fibercane, made from
Dacron fibers and epoxies. All of these products lack some or all of the
following: pitch stability, rich "woody" tone and/or
brilliance.
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Technical Aspects of
Fibracell
What Is Fibracell?
Fibracell is the reed mother
nature would make if she had access to space age materials. Fibracell
material is a sophisticated composite of aerospace materials designed to
exactly duplicate the way nature constructs cane reed. Very stiff but
sound absorbing Kevlar fibers are suspended in a lightweight resin
formulation.
Fibracell composite reed
material is the result of years of research and development,
conceptualizing and augmenting state-of-the-art materials. The result is
a composite material, which has characteristics comparable to natural
cane reed in the following respects:
It is the unique combination
of the above properties that allows the natural cane reed to vibrate
with a rich tonal quality. These qualities are emulated in Fibracell’s
unique composite structure with the additional features of strength,
long lasting durability and a consistency of quality not found in
nature.

Visual Features
The visual similarity of
Fibracell to cane, even with a microscope, is remarkable because its’
color and cross-section structure are almost identical in appearance to
cane. Thus, the claim can accurately be made "It plays like cane because
it’s made like cane…. Only stronger!" Fibracell reeds can quickly be
distinguished from all other artificial reeds by a "float test". Drop a
handful of plastic, cane and Fibracell reeds in a glass of water. Only
the cane and Fibracell reeds will float. The plastic reeds will sink to
the bottom. This demonstrates the similarity in density and specific
gravity between natural cane and Fibracell material as opposed to the
more dense plastic. The lightness of cane and Fibracell is important for
high note stability and the formation of correct
overtones.
Production
Fibracell is manufactured in
a process that includes over ten production, machining and quality
control operations, as opposed to simple injection molding like most
plastic reeds. The materials used to produce the raw material are
sophisticated and relatively expensive. The equipment used to produce it
is extremely sensitive and complicated. Many factors contribute to its
quality.
Once the material is
produced, making reeds from it is done in almost exactly the same way
cane reeds are produced with all the same cutting, milling, shaping,
trimming and testing steps. In other words, the Fibracell reed is the
result of a combination of expensive, sophisticated materials, many
years of research and a labor intensive manufacturing and quality
control
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